%Shifted -1 octave. % NOTE % This isn't necessarily the best ABC format possible. % I put a premium on doing it quickly and generating % nice pdf output from abc4mac (via MacGS). % Sources are given where I have them; feel free to correct me. % The metronome markings (commented out so they don't print) % are arbitrary - they just match my recollection of the tune % or my judgement of what is danceable. % Bob Wyttenbach, 3 June 2003 % %%%%%%%%%%%% Hambo %%%%%%%%%%%%% % X:1 T:Anna-Marie och Pelle (Hambo) %O:Sweden R:Hambo Z:Bob Wyttenbach, 8/4/02 from handwritten copy in Buffalo Gap 2002 book N:goes well with Karis Pers, below M:3/4 L:1/8 %Q:1/4=132 K:A bass %clef=bass middle=d A,,2(uA,,>C,) E,>C,|A,,2A,,4|D,2(D,>F,) A,>F,|D,2D,4| E,2(E,>F,) G,>F,|E,2(E,>F,) G,>F,|(E,>F,) (E,>D,) C,>B,,|A,,2A,,4:| X:2 T:Karis Pers Polska (Hambo) R:Hambo %O:Sweden Z:Bob Wyttenbach 8/5/02, from Fiddles & Feet 2002 tunebook M:3/4 L:1/8 %Q:1/4=132 K:D bass %clef=bass middle=d P:A {F,}A,2(uA,>B,) A,>G,|(G,>F,) (F,>D,) F,>A,|D2(D>E) D>C|(C>B,)B,4| E2(E>F) E>D|(D>C) (C>A,) C>E|A2(A>B) A>G|(G>F)F4| {F,}A,2(A,>B,) A,>G,|(G,>F,) (F,>D,) F,>A,|D2(D>E) D>C|(C>B,)B,4| E2(E>F) E>D|(D>C) (C>A,) C>E|A2(A>G) F>E|[1D2D4:|[2D2D7/2|| P:B (F/|G>F) (E>D) E>G|(F>E) (D>C) D>F|(E>D) (C>A,) B,>C|(D>E) (FF| (G>F) (E>D) E>G|(F>E) (D>C) D>F|(E>D) (C>A,) B,>C|[1D2D7/2:|[2D2D4:| X:3 T:X-Hambo C:Thomas Thiger %O:Sweden Z:Bob Wyttenbach, 8/4/02 from xerox copy in Buffalo Gap 2002 book M:3/4 L:1/8 %Q:1/4=120 K:C bass %clef=bass middle=D V:1 P:A C2G,2F,D,|E,>G, (D,E,)C,2|A,>B, CF,A,C|B,>D G,^G,A,B,| V:2 G,2E,2D,B,,|C,2G,,4|F,>G, A,D,F,A,|G,2(D,E,)F,G,| V:1 C2G,2F,D,|E,>G, (D,E,)C,2|A,>F, A,C B,>D|"Fine"C2C4:| V:2 G,2E,2D,B,,|C,2G,,4|F,>C, F,A, G,>G,|E,2E,4:| V:1 P:B A,2E,2A,>C|B,2E,4|C>DE2(DC)|B,>^G, (E,G,)B,2| % or (EG) (B>c)| at end of this line V:2 C,2A,,2C,>E,|D,2B,,4|G,>B,C2(B,A,)|^G,>E, (B,,D,)E,2| %or (B,D) (E>F)| at end of this line V:1 A,2E,2A,>C|B,2E3(D|C>)A, E,^G, B,>C|[1A,2A,4:|[2"D.C."A,2G,4|| V:2 C,2A,,2C,>E,|^G,2B,3(B,|A,>)E, C,E, ^G,>G,|[1E,2E,4:|[2E,2F,4|| X:4 T:H\aarga Dur (Hambo) C:efter Andrea Hoag R:Hambo %O:Sweden Z:Bob Wyttenbach 8/5/02, from Fiddles & Feet 2002 tunebook, "Printed by Karen Myers" M:3/4 L:1/8 K:A bass %clef=bass middle=D V:1 P:A E2(EF) ED|(DC)C2A,C|(CB,) (B,E,) G,B,|[1"3" (A,G,) (A,B,) CD:|[2"4 "A,2"Fine"A,4|] V:2 C2(CD) CB,|(B,A,)A,2E,A,|(A,G,) (G,E,) B,,E,|[1(C,B,,) (C,E,) A,B,:|[2C,2C,4|] V:1 P:B (CD)E2(C2|DE)F4|G2GF/G/ AF|[1(FE)E4:|[2(FE)E4:| V:2 (A,B,)C2(A,2|B,C)D4|B,2B,>E ED|[1(DB,)C4:|[2D[E,B,][E,4B,4]:| % %%%%%%%%%%%% Schottis/Reinlender %%%%%%%%%%%%% % X:29 T:Schottis fr\aan Porjus C:efter G\"oran Lindqvist D:J.P. Nystroms; Manifest MAN 4 (12/95) M:2/4 L:1/8 R:Schottis O:Sweden Z:Bob Wyttenbach 8/5/02, from Fiddles & Feet 2002 tunebook, "Printed by Karen Myers" K:D bass %clef=bass middle=D P:A "D"A,2A,G,|F,4|"A"E,2C,E,|"D"D,4|F,D, A,,D,|F,D, F,G,|F,2E,2|"A"E,2-E,>F,| G,2G,F,|E,2E,D,|C,D, C,B,,|A,,4|A,,2C,E,|A,2F,2|"D"TE,2D,2|D,4:| P:B "D"F,D, A,,D,|F,D, A,,D,|F,2F,E,|D,2E,F,|"G"G,2B,,B,,|B,,2G,G,|G,2G,F,| "A"E,4|"pizz.".E,2.A,,2|.E,2.A,,2|.E,2"arco"E,D,|C,2-C,>B,,|A,,2C,E,|A,2F,2|"D"TE,2D,2|D,4:| X:6 T:Schottis fr\aan R\"od\"on C:efter Rickard N\"aslin M:2/4 %Q:1/4=75 L:1/16 R:Schottis %O:Sweden Z:Bob Wyttenbach 8/5/02, from Fiddles & Feet 2002 tunebook K:D bass %clef=bass middle=D P:A V:1 F,>E,F,G, F,E,F,G,|E,>D,E,F, D,2D,2|F,>E,F,G, A,2(F,D,)|E,2A,2 A,2>A,2| V:2 D,>C,D,E, D,>C,D,E,|C,>B,,D,E, A,,2A,,2|D,>C,D,E, F,2(D,A,,)|C,2E,2 E,2>E,2| V:1 B,>A,B,C D>CDE|F>EFG A2>A2|G>FED CA,CE|[1D2D2 D2>D,2:|[2D2D2 D2>D2|| V:2 G,>F,G,A, B,>A,B,C|D>CDE F2>F2|E>DCB, A,G,E,G,|[1F,2F,2 F,2>A,,2:|[2F,2F,2 F,2>F,2|| P:B V:1 F>EFG A2(FD)|E2A2 A2>A2|G>FGA F2(DF)|E>DCB, A,2>A,2| V:2 D>CDE F2(DA,)|E,2C2 C2>C2|B,>A,B,C A,2(F,A,)|G,>F,E,D, C,2>D,2| V:1 B,>G,B,D B,>G,B,D|A,>F,A,D F2>F2|G>FED CA,CE|[1D2D2 D2>D2:|[2D2D2D4|] V:2 G,>D,G,B, G,>D,G,B,|F,>D,F,A, D2>D2|E>DCB, A,G,E,G,|[1F,2F,2 F,2>F,2:|[2F,2F,2F,4|] X:7 T:Bringeb\aersl\aatten (Reinl\aender) C:av. Richard Eilde (sp?) N:2. stemme av. Magne Drageset R:Reinl\aender %O:Norway Z:Bob Wyttenbach 8/7/02, from Fiddles & Feet 2002 tunebook, handwritten copy (composer not quite legible) M:2/4 L:1/16 K:D bass %clef=bass middle=D P:A V:1 FEDC D2F,2|B,A,G,F, G,2E,2|E2ED C2C(B,|A,2)A,G, F,2>A,2| V:2 "D"DA,F,E, F,2D,2|G,F,E,D, "G"E,2[E,2B,,2]|"A"C2CB, A,2A,(G,|F,2)F,E,"D"D,4| V:1 FEDC D2F,2|B,A,G,F, G,2E,2|E2ED C2B,C|D2D2 D2>A,2:| V:2 "D"DA,F,E, F,2D,2|G,F,E,D, "G"E,2[E,2B,,2]|"A"C2CB, A,2A,G,|"D"F,2F,2F,4:| P:B V:1 A,2F2 FEDC|B,2G2 GFED|C2C2 B,2B,2|^G,A,B,A, F,2>A,2| V:2 F,2D2 DCB,A,|"G"G,2B,2 B,A,G,B,|"A"A,2A,2 G,2G,2|"D"F,2G,F, D,2>F,2| V:1 A,2F2 FEDC|B,2G2 GFED|C2C2 CA,B,C|D2D2D4:| V:2 F,2D2 DCB,A,|"G"G,2B,2 B,A,G,B,|"A"A,2A,2 A,E,A,G,|"D"F,2F,2F,4:| % %%%%%%%%%%%% Snoa/Ganglat %%%%%%%%%%%%% % X:12 T:Babba-Lisas hyfs'n (Snoa, Polka) C:S\"oren Johansson %O:Sweden R:snoa, polkett, polka Z:John Chambers N:Modified slightly by Bob Wyttenbach %Q:1/4=120 M:2/4 L:1/16 K:G bass P:A D,,2 \ |"G"G,,G,,G,,G,, G,,2A,,2 | B,,B,,B,,B,, B,,2C,2 | D,D,D,D, D,2E,2 | "D7"z2F,4 G,2 \ | A,A,A,A, A,2G,2 | F,F,F,F, F,2E,2 | D,D,D,D, D,2C,2 | B,,6 D,2 | "G"G,,G,,G,,G,, G,,2A,,2 | B,,B,,B,,B,, B,,2C,2 | D,D,D,D, D,2E,2 | "D7"z2F,4 G,2 \ | A,A,A,A, A,2G,2 | F,F,F,F, F,2E,2 | ~D,2^C,D, E,2F,2 | "G"G,6D,2 :| P:B "G"D,2G,G, G,2D,2 | B,,2D,D, D,2B,,2 | G,,2[G,B,,][G,D,] G,2B,,2 | "Am"C,6 B,,2 \ | "D7"A,,2A,A, A,2G,G, | G,2F,F, F,2E,E, | E,2D,D, D,2C,2 | B,,6 C,2 | "G"D,2G,G, G,2D,2 | B,,2D,D, D,2B,,2 | G,,2[G,B,,][G,D,] G,2B,,2 | "Am"C,6 B,,2 \ | "D7"A,,2A,A, A,2G,G, | G,2F,F, F,2E,2 | ~D,2^C,D, E,2F,2 |[1"G"G,6D,2:|[2"G"G,4[G,4B,,4]|] X:9 T:Ungerska J\"arnv\"agens Polkett (Snoa) T:Hungarian Railway Polkett C:Magnus B\"ackstr\"om %O:Sweden R:Snoa Z:Bob Wyttenbach 5/30/03 from Andrea Hoag for NFF 2003 M:2/4 L:1/16 %Q:1/4=160 K:D bass P:A A,2|D2A,B, A,2G,2|F,6A,2|D2A,B, A,B,CD|E6F2|G2FG F2E2|C2B,C B,2A,2| A,B,CD EFGE|FGFE F2A,2|D2A,B, A,2G,2|F,6A,2|D2A,B, A,B,CD| E6F2|G2FG F2E2|CA,CEA4|ABAF G2EC|[1E2D2 D2:|[2E2D2 D4|| P:B D,E,F,G, A,B,CD|EDCB, C2A,2|EDCB, C2EG|FEDC B,2A,2| D,E,F,G, A,B,CD|EDCB, C2A,2|EDCB, C2EG|[1"& final"GD2 D4:|[2GD2 D2|| X:10 T:Hyttstenspolketten (Snoa, Svav) C:efter Bengt Jonsson %O:Sweden R:Snoa, Svav Z:Bob Wyttenbach 5/31/03 from Andrea Hoag for NFF 2003 M:4/4 L:1/8 %Q:1/4=132 K:D bass P:A V:1 F,G,|A,2A,2B,2A,G,|(F,G,)A,2A,3z|{A,}F,2F2F2ED|(CD)E2E3z| V:2 D,E,|"D"F,2F,2"G"G,2F,E,|"D"(D,E,)F,2F,3z|{F,}D,2A,2A,2G,F,|"A7"(E,F,)G,2G,3z| V:1 E,3F,E,2(F,G,)|A,3B,A,2(B,C)|D2CDE2C2|D6:| V:2 "A7"C,3D,C,2D,2|E,6G,2|"D"F,2E,F,"A7"A,2G,2|"D"F,6:| P:B V:1 DE|F2FEF2DE|(FG) FEF2GF|E2(CD)E2F2|G2B2A2G2| V:2 F,G,|"D"A,2A,G,A,2F,G,|(A,B,) A,G,A,2A,B,|"A7"C2(A,B,)C2D2|"G"D2G2"A7"F2E2| V:1 F2FEF2DE|(FG) FEF2GF|E2FGA2C2|D6:| V:2 "D"D2DCD2A,C|"D"(DE)DCD2D2|"A7"C2CB,A,2G,2|"D"F,6:| X:11 T:L\aeg di Maw (Snoa, Danish Reinlender Polka) M:2/4 L:1/8 %Q:1/4=120 R:Snoa or Danish Reinlender Polka %O:Sweden Z:Bob Wyttenbach 8/8/02, from Fiddles & Feet 2002 tunebook handwritten copy K:G bass %clef=bass middle=D P:A B,B, D>B,|G,G,B,2|CC/B,/ A,B,/A,/|[1G,B,D2:|[2G,G,G,2:| P:B [K:D] A,/B,/A,/F,/ A,/B,/A,/F,/|A,D/F/ AA|G/A/G/F/ EE|F/G/F/E/ DD| A,/B,/A,/F,/ A,/B,/A,/F,/|A,D/F/ AA|G/A/G/F/ E/G/F/E/|[1DDD2:|[2DC B,A,:| %W:Pattern:AABBABB? (A part repeats are 1,3 and 2,4; B repeats are 1,Fine and 2 (to A). X:12 T:Pariserpolka C:Andreas Steindal D:Einar Heimhjellen 1985, transcr Bill Boyd M:2/4 L:1/8 %Q:1/4=120 R:Pariser Polka %O:Sweden Z:Bob Wyttenbach 8/8/02, from Fiddles & Feet 2002 tunebook handwritten copy K:D bass %clef=bass middle=D P:A F,D, F,A,|B,A, F,>A,|A,G, E,>G,|G,F,D,2| F,D, F,A,|B,A,F,2|A,G,/F,/ E,F,/E,/|D,2D,2:| P:B CA, CE|F2D2|CA, B,C/B,/|A,2A,2| CA, CE|F2D2|CA, B,C|D2D2:| % %%%%%%%%%%%% Mazurka %%%%%%%%%%%%% % X:13 T:Sk\aanska Rumpedarran (Masurka) C:A. Bergstr\"om (?) R:Masurka %O:Sweden Z:Bob Wyttenbach 8/5/02, from Fiddles & Feet 2002 tunebook, poor handwritten copy N:as we played it, the triplets were CCC, not CB,C as written here in A part M:3/4 L:1/8 K:D bass %clef=bass middle=D P:A "D"A,>DF2F2|F>E D>B,A,2|"G"G,>A,B,2B,2|"Em"B,>A, G,>F,E,2| "A"C,>D, E,>F,G,2|"A"(3C,B,,C, E,>F,G,2|"A"E,>F, G,>A, C>B,|"D"A,>B, A,>G,F,2| "D"A,>DF2F2|F>E D>B,A,2|"G"G,>A,B,2B,2|"Em"B,>A, G,>F,E,2| "A"C,>D, E,>F,G,2|"A"(3C,B,,C, E,>F,G,2|"A"C>B, A,>C E>C|"D"D2D2z2:| P:B [K:G]"G"G,,>B, B,>DB,2|"G"G,,>B, B,>DB,2|(3CB,C F2F2|G,>GG2G2| "G"G,,>B, B,>DB,2|"G"G,,>B, B,>DB,2|C>B, A,>G, F,>A,|[1"G"G,2G,2z2:|[2"G"G,2G4|] % %%%%%%%%%%%% Vals %%%%%%%%%%%%% % X:14 T:Gr\aatvalsen C:Ale M\"oller %A:Sweden R:Waltz Z:copied by Bob Wyttenbach from Buffalo Gap Scandi Week 2000 tunebook N:transcribed 6/89 by Andrea Hoag (her notes say harmony by Per Gudmundson) M:3/4 L:1/8 %Q:1/4=160 K:G bass P:A V:1 F,G,|A,4A,2|A,4A,2|A,3G,F,2|D,4G,A,|B,4D2|C4B,2|A,6-| V:2 D,E,|F,3G, ((3F,E,D,)|F,3G, ((3F,E,D,)|F,3E,D,2|A,,4B,,D,|G,4{A,}B,2|A,4G,2|F,3E,D,2| V:1 A,3F,G,A,|B,4D2|C4B,2|A,3G,F,2|D,3F,A,B,|A,4A,B,|A,3G,F,2|[1[D,6F,6]|D,4:|[2[D,6F,6]|| V:2 [A,,4D,4]B,,D,|G,4{A,}B,2|A,4G,2|F,3E,D,2|[A,,6D,6]|"*"[C,3E,6](D, C,B,,)|[C,3E,3][B,,E,](C,D,)|[1D,6|D,4:|[2D,6|| P:B V:1 F,2G,2A,2|B,4B,2|B,3A,G,2|C4B,2|A,3F,G,A,|B,4D2|E4D2|A,6-| V:2 D,2E,2F,2|[G,4G,,4]G,2|[G,3G,,3]F,D,2|[E,4G,,4]G,2|([A,,3D,3][A,,D,]) B,,D,|G,4{A,}B,2|C4B,2|F,3E,D,2| V:1 A,3F,G,A,|B,4D2|C4B,2|A,3G,F,2|D,3A,A,B,|A,4A,B,|A,3G,F,2|[1[D,6F,6]:|[2[D,4F,4]|| V:2 [A,,6D,6]|G,4{A,}B,2|A,4G,2|F,3E,D,2|[A,,6D,6]|[C,3E,6](D, C,B,,)|([C,3E,3]B,,C,D,)|[1D,6:|[2D,4|| W:*harmony may be an octave higher here X:15 T:Sommervals C:Ale M\"oller %O:Sweden R:Waltz N:Efter Alke Steinholtz and Printed by Karen Myers Z:Bob Wyttenbach, 8/4/02 from xerox copy (origin?) M:3/4 L:1/4 %Q:1/4=120 K:G bass %clef=bass middle=d P:A DC|"G"B,>A,G,|"D"A,2F,|"C"G,3|E,>F,E,|"G"D,G,A,| "Am"C2B,|(3B,/C/B,/ A,G,|"D7"A,DC|"G"B,>A,G,|"D"A,2F,| "C"G,3|E,>F,E,|"G"D,E,G,|"D7"G,2F,|"G"G,3-|G,:| P:B F,G,|"D"A,>A,A,|A,F,D,|"D7"C3|"G"B,>A, G,/F,/|"Am"E,A,/B,/C| "Bm"D>C B,/A,/|"Em"G,F,G,|"D"A, B,A,|"Em"G,>A,G,|"Bm"F,>G,F,| "C"E,>F,E,|"D"D,G,A,|"G"B,>A,G,|"D7"A,{B,C}DF,|"G"G,3-|G,:| X:16 T:Feder Fele (Vals) %A:Sweden R:Waltz Z:copied by Bob Wyttenbach 8/16/02 from NFF 2002 tunebook M:3/4 L:1/4 %Q:1/4=160 K:G bass P:A uD,/ G,/A,/|:B,>A,B,|G,2D,|E,>G,E,|D,2D,|(E,/D,/) E,/F,/G,|B,>A, G,/B,/|A,>D, G,/A,/| B,>A,B,|G,2D,|E,>G,E,|D,2D,|(E,/D,/) E,/F,/G,|A,>A, G,/F,/|[1G,3-|G,>D, G,/A,/:|[2G,3-|G,(F,G,)|| P:B A,>A,A,|A,B,C|B,>A,B,|G,>(A, B,/)D/|E>F E/D/|B,>A, G,/B,/|B,A,2-|A,>D, G,/A,/| B,>A,B,|G,2D,|E,>G,E,|D,2D,|(E,/D,/) E,/F,/G,|A,>A, G,/F,/|[1G,3-|G,(F,G,):|[2G,3-|G,>zz|| X:17 T:Waltz from J\"amtland C:efter Anders Wedlund %A:Sweden R:Waltz Z:copied by Bob Wyttenbach 8/16/02 from NFF 2002 tunebook M:3/4 L:1/4 %Q:1/4=160 K:Dm bass P:A D,/E,/|F,2E,|D,^C,D,/F,/|A,2A,-|A,=B,/^C/ D/E/|F2F|TFED/^C/|A2A-|AGF| EDC|TB,A,G,|A,>F, D,/E,/|F,2E,|D,^C,D,/F,/|A,2A,-|A,=B,/^C/ D/E/|F2F|TFED/^C/|[1D2:|[2D3|| P:B E^CE|A>^GA-|A^CD|E^CA,-|A,=B,/^C/ D/E/|F2E|E/D/=B,^G,|A,2A,| E^CE|A>^GA-|A^CD|E^CA,-|A,=B,/^C/ D/E/|F2E|E/D/=B,^G,|A,2D,/E,/| F,2E,|D,^C,D,/F,/|A,2A,-|A,=B,/^C/ D/E/|F2F|TFED/^C/|A2A-|AGF| EDC|TB,A,G,|A,>F, D,/E,/|F,2E,|D,^C,D,/F,/|A,2A,-|A,=B,/^C/ D/E/|F2F|TFED/^C/|D3:| X:18 T:Vals fr\aan Alfta R:vals N:learned from Andrea Hoag, workshop 20jan92 Z: 1998 Brian Wilson M:3/4 L:1/8 K:G bass P:A "G"D,4 (~B,A,) | "G"B,4 "C"G,2 | "G"D,3 (C~B,A,) | "G"B,4 G,2 |\ "D"F,G, A,B, CD | "C"E4 D2 | "C"C2 B,C "Am"DB, | "C"C2 B,A, B,G, | "G"D,4 (~B,A,) | "G"B,4 "C"G,2 | "G"D,3 (C~B,A,) | "G"B,4 G,2 |\ "D"F,G, A,B, CD | "C"E4 D2 | "D"DE DC A,F, | [1 "G"G,4 F,E, :| [2 "G"G,3 A,B,C || P:B "G"D4 G2 | "Am"(~F2 E2) E2 | "D"A,4 F2 | "Am7/G"E2 D^C D2 |\ "Am"A,3 B,CD | "C"E4 D2 | "C"C2 B,C DB, | "C"C2 B,A, "Am"B,C | "G"D4 G2 | "Am"(~F2 E2) E2 | "D"A,4 F2 | "Am7/G"E2 D^C D2| \ "Am"A,3 B,CD | "C"E4 D2 | "D"DE DC A,F, | [1 "G"G,3 A,B,C :| [2 "G"G,4 F,E, || X:19 T:Minnesota Valsen R:Waltz %O:Scand-American Z:John Chambers N:Modified by Bob Wyttenbach to match Buffalo Gap tunebook M:3/4 L:1/8 K:G bass P:A D,2| "G"G,2 (B,G,) B,D | G,2 (B,G,) B,C | D2 (ED)CB, | "D7"A,4A,2 | D,2 (F,D,) F,A, | D,2 (F,D,) F,A, | D2 (DC)B,A, |[1"G"G,4 :|[2"G"G,3|| P:B (CB,A,)| "G"G,2 (B,G,) B,D | G4G2 | (3(GAG) (FG) AG | "C"E4E2 | "D7"(A,F,) (A,F,) A,D | F3 (GFE) | (DE D)CB,A, |[1"G"B,3:|[2"G"G,4 || % %%%%%%%%%%%% Rorospols %%%%%%%%%%%%% % % %%%%%%%%%%%% Sonderhoning %%%%%%%%%%%%% % X:20 T:P\aa Hjemturen (S\onderhoning) C:F.J. Aalto %O:Sweden R:S\onderhoning Z:Bob Wyttenbach from Buffalo Gap tunebook M:4/4 L:1/4 K:D bass P:A A,,|:"D"D,ECB,|A,>G,F,A,|"Em"G,E,B,,E,|"A7"D,>C,B,,A,,|"D"D,DCB,|A,>G,F,A,| "Em"G,B,"A7"E,C,|[1"D"D,3A,,:|[2"D"D,3F,|:"A7"E,F,/G,/ A,,/C,/E,/C,/|"D"D,>E,F,A,|"Em"G,A,/B,/E,D,| "A7"C,D,/E,/C,A,,|"Bm"D,B,,/D,/"Em"E,F,|G,A,B,E|[1"D"D2"A7"CB,/C/|"D"D3F,:|[2"D"D2"A7"ED/C/|"D"D3|| P:B A,,|:"D"D,D,/F,/"A7"E,E,/G,/|"D"F,A,"A7"G,/F,/E,|"D"F,G,/A,/ "A7"G,/F,/G,/E,/|"D"F,D,"A7"E,A,,|"D"D,D,/F,/"A7"E,E,/G,/| "D"F,A,"A7"G,/F,/E,|"Em"G,/F,/G,/E,/"A7"D,C,|[1E,2"D"D,A,,:|[2"D"D,3C/D/|:"A"EA,A,B,/C/|"D"D>EFD|"Em"GEED| "A"CB,/C/A,G,|"D"F,G,/A,/ "A7"E,/F,/G,|"G"B,C/D/ "Em"E/F/ G/E/|"A"DC/D/EC|[1"D"D3C/D/:|[2"D"D4|| X:21 T:Litj-Brekkingen (Pols) C:\AAsmund Svenkerud R:Pols %O:Sweden Z:Bob Wyttenbach 8/7/02, from Fiddles & Feet 2002 tunebook N:rhythm here is an approximation; emphasis on 2 is very strong. M:3/4 L:1/8 K:D bass %clef=bass middle=D P:A ((3A,B,C)D2EF|D2(CA,) A,C|(CD) (B,G,) G,B,|B,C CA, (A,2|(3A,B,C)D2EF| D2(CA,) A,C|(CD) (B,G,) G,B,|[1(B,C)A,3A,-:|[2(B,C)A,3A-|| P:B A(F GE) EG|(GE) (FD) DD|D2(CA,) CE|(EF) (FD) FA|A(F GE) EG| (GE) (FD) DD|D2(CA,) B,D|[1((3CB,C) D3A-:|[2((3CB,C)D4|] X:22 T:Skott-Sara-leken (R\orospols) C:Annar Gjelten %O:Sweden R:R\orospols Z:Bob Wyttenbach 8/7/02, from Fiddles & Feet 2002 tunebook "Printed by Karen Myers" N:modified slightly to match my memory of the tune M:3/4 L:1/8 K:D bass %clef=bass middle=D P:A A,|(3:2:2(D2 C)A,2-A,>D|(3:2:2(D2C)[E4E4]|(3:2:2D2(E FD) G>F|(3:2:2E2(D CB,) TB,>A,| (3:2:2A,2(G, F,E,) F,>A,|(G,B,) {G,}[A,4A,4]|(3:2:2D,2E, (3(F,D,F,) (3(E,C,E,)|[1{C,}[D,2D,2][D,3D,3]:|[2({C,}[D,2D,2])[D,3D,3]|| P:B E|TF2D2F>A|(A^G)E2-E>=G|(3:2:2(TG2F) D2E>F|(DC)A,2-A,>E| TF2D2F>A|(A^G)E2=GB|(BC)D2E>F|[1(DC)D3:|[2(DC)D4|]