X:1
T:Anna-Marie och Pelle (Hambo)
%O:Sweden
R:Hambo
Z:Bob Wyttenbach, 8/4/02 from handwritten copy in Buffalo Gap 2002 book
N:goes well with Karis Pers, below
M:3/4
L:1/8
%Q:1/4=132
K:B %Transposed from A
B2(uB>d) f>d|B2B4|e2(e>g) b>g|e2e4|
f2(f>g) a>g|f2(f>g) a>g|(f>g) (f>e) d>c|B2B4:|

X:2
T:Karis Pers Polska (Hambo)
R:Hambo
%O:Sweden
Z:Bob Wyttenbach  8/5/02, from Fiddles & Feet 2002 tunebook
M:3/4
L:1/8
%Q:1/4=132
K:E %Transposed from D
P:A
{G}B2(uB>c) B>A|(A>G) (G>E) G>B|e2(e>f) e>d|(d>c)c4|
f2(f>g)  f>e|(e>d) (d>B) d>f|b2(b>c') b>a|(a>g)g4|
{G}B2(B>c) B>A|(A>G) (G>E) G>B|e2(e>f) e>d|(d>c)c4|
f2(f>g)  f>e|(e>d) (d>B) d>f|b2(b>a) g>f|[1e2e4:|[2e2e7/2||
P:B
(g/|a>g) (f>e) f>a|(g>f) (e>d) e>g|(f>e) (d>B) c>d|(e>f) (g<a) b>g|
(a>g) (f>e) f>a|(g>f) (e>d) e>g|(f>e) (d>B) c>d|[1e2e7/2:|[2e2e4:|

X:3
T:X-Hambo
C:Thomas Thiger
%O:Sweden
Z:Bob Wyttenbach, 8/4/02 from xerox copy in Buffalo Gap 2002 book
M:3/4
L:1/8
%Q:1/4=120
K:D %Transposed from C
V:1
P:A
d2A2GE|F>A (EF)D2|B>c dGBd|c>e A^ABc|
V:2
A2F2EC|D2A,4|G>A BEGB|A2(EF)GA|
V:1
d2A2GE|F>A (EF)D2|B>G Bd c>e|"Gine"d2d4:|
V:2
A2F2EC|D2A,4|G>D GB A>A|F2F4:|
V:1
P:B
B2F2B>d|c2F4|d>ef2(ed)|c>^A (FA)c2| 
% or (EG) (B>c)| at end of this line
V:2
D2B,2D>F|E2C4|A>cd2(cB)|^A>F (CE)F2|
%or (B,D) (E>F)| at end of this line
V:1
B2F2B>d|c2f3(e|d>)B F^A c>d|[1B2B4:|[2"E.C."B2A4||
V:2
D2B,2D>F|^A2c3(c|B>)F DF ^A>A|[1F2F4:|[2F2G4||

X:4
T:H\aarga Dur (Hambo)
C:efter Andrea Hoag
R:Hambo
%O:Sweden
Z:Bob Wyttenbach  8/5/02, from Fiddles & Feet 2002 tunebook, "Printed by Karen Myers"
M:3/4
L:1/8
K:B %Transposed from A
V:1
P:A
f2(fg) fe|(ed)d2Bd|(dc) (cF) Ac|[1"3" (BA) (Bc) de:|[2"4 "B2"Fine"B4|]
V:2
d2(de) dc|(cB)B2FB|(BA) (AF) CF|[1(DC) (DF) Bc:|[2D2D4|]
V:1
P:B
(de)f2(d2|ef)g4|a2ag/a/ bg|[1(gf)f4:|[2(gf)f4:|
V:2
(Bc)d2(B2|cd)e4|c2c>f fe|[1(ec)d4:|[2e[Fc][F4c4]:|

X:5
T:Schottis fr\aan Porjus
C:efter G\"oran Lindqvist
D:J.P. Nystroms; Manifest MAN 4 (12/95)
M:2/4
L:1/8
R:Schottis
%O:Sweden
Z:Bob Wyttenbach  8/5/02, from Fiddles & Feet 2002 tunebook, "Printed by Karen Myers"
K:E %Transposed from D
P:A
"D"b2ba|g4|"A"f2df|"D"e4|ge Be|ge ga|g2f2|"A"f2-f>g|
a2ag|f2fe|de dc|B4|B2df|b2g2|"D"Tf2e2|e4:|
P:B
"D"ge Be|ge Be|g2gf|e2fg|"G"a2cc|c2aa|a2ag|
"A"f4|"pizz.".f2.B2|.f2.B2|.f2"arco"fe|d2-d>c|B2df|b2g2|"D"Tf2e2|e4:|

X:6
T:Schottis fr\aan R\"od\"on
C:efter Rickard N\"aslin
M:2/4
%Q:1/4=75
L:1/16
R:Schottis
%O:Sweden
Z:Bob Wyttenbach  8/5/02, from Fiddles & Feet 2002 tunebook
K:E %Transposed from D
P:A
V:1
G>FGA GFGA|F>EFG E2E2|G>FGA B2(GE)|F2B2 B2>B2|
V:2
E>DEF E>DEF|D>CEF B,2B,2|E>DEF G2(EB,)|D2F2 F2>F2|
V:1
c>Bcd e>def|g>fga b2>b2|a>gfe dBdf|[1e2e2 e2>E2:|[2e2e2 e2>e2||
V:2
A>GAB c>Bcd|e>def g2>g2|f>edc BAFA|[1G2G2  G2>B,2:|[2G2G2 G2>G2||
P:B
V:1
g>fga b2(ge)|f2b2 b2>b2|a>gab g2(eg)|f>edc B2>B2|
V:2
e>def g2(eB)|F2d2 d2>d2|c>Bcd B2(GB)|A>GFE D2>E2|
V:1
c>Ace c>Ace|B>GBe g2>g2|a>gfe dBdf|[1e2e2 e2>e2:|[2e2e2e4|]
V:2
A>EAc A>EAc|G>EGB e2>e2|f>edc BAFA|[1G2G2 G2>G2:|[2G2G2G4|]

X:7
T:Bringeb\aersl\aatten (Reinl\aender)
C:av. Richard Eilde (sp?)
N:2. stemme av. Magne Drageset
R:Reinl\aender
%O:Norway
Z:Bob Wyttenbach  8/7/02, from Fiddles & Feet 2002 tunebook, handwritten copy (composer not quite legible)
M:2/4
L:1/16
K:E %Transposed from D
P:A
V:1
gfed e2G2|cBAG A2F2|f2fe d2d(c|B2)BA G2>B2|
V:2
"D"eBGF G2E2|AGFE "G"F2[F2C2]|"A"d2dc B2B(A|G2)GF"D"E4|
V:1
gfed e2G2|cBAG A2F2|f2fe d2cd|e2e2 e2>B2:|
V:2
"D"eBGF G2E2|AGFE "G"F2[F2C2]|"A"d2dc B2BA|"D"G2G2G4:|
P:B
V:1
B2g2 gfed|c2a2 agfe|d2d2 c2c2|^ABcB G2>B2|
V:2
G2e2 edcB|"G"A2c2 cBAc|"A"B2B2 A2A2|"D"G2AG E2>G2|
V:1
B2g2 gfed|c2a2 agfe|d2d2 dBcd|e2e2e4:|
V:2
G2e2 edcB|"G"A2c2 cBAc|"A"B2B2 BFBA|"D"G2G2G4:|

X:8
T:Babba-Lisas hyfs'n (Snoa, Polka)
C:S\"oren Johansson
%O:Sweden
R:snoa, polkett, polka
Z:John Chambers <jc@trillian.mit.edu>
N:Modified slightly by Bob Wyttenbach
%Q:1/4=120
M:2/4
L:1/16
K:A %Transposed from G
P:A
 E2 \
|"G"AAAA A2B2 | cccc c2d2 | eeee e2f2 | "D7"z2g4 a2 \
|     bbbb b2a2 | gggg g2f2 | eeee e2d2 | c6 e2 |
 "G"AAAA A2B2 | cccc c2d2 | eeee e2f2 | "D7"z2g4 a2 \
|     bbbb b2a2 | gggg g2f2 | ~e2^de f2g2 | "G"a6e2 :|
P:B
"G"e2aa a2e2 | c2ee e2c2 | A2[ac][ae] a2c2 | "Am"d6 c2 \
|  "D7"B2bb b2aa | a2gg g2ff | f2ee e2d2 | c6 d2 |
 "G"e2aa a2e2 | c2ee e2c2 | A2[ac][ae] a2c2 | "Am"d6 c2 \
|  "D7"B2bb b2aa | a2gg g2f2 | ~e2^de f2g2 |[1"G"a6e2:|[2"G"a4[a4c4]|]

X:9
T:Ungerska J\"arnv\"agens Polkett  (Snoa)
T:Hungarian Railway Polkett
C:Magnus B\"ackstr\"om
%O:Sweden
R:Snoa
Z:Bob Wyttenbach 5/30/03 from Andrea Hoag for NFF 2003
M:2/4
L:1/16
%Q:1/4=160
K:E %Transposed from D
P:A
B2|e2Bc B2A2|G6B2|e2Bc Bcde|f6g2|a2ga g2f2|d2cd c2B2|
Bcde fgaf|gagf g2B2|e2Bc B2A2|G6B2|e2Bc Bcde|
f6g2|a2ga g2f2|dBdfb4|bc'bg a2fd|[1f2e2 e2:|[2f2e2 e4||
P:B
EFGA Bcde|fedc d2B2|fedc d2fa|gfed c2B2|
EFGA Bcde|fedc d2B2|fedc d2fa|[1"& final"ae2 e4:|[2ae2 e2||

X:10
T:Hyttstenspolketten (Snoa, Svav)
C:efter Bengt Jonsson
%O:Sweden
R:Snoa, Svav
Z:Bob Wyttenbach 5/31/03 from Andrea Hoag for NFF 2003
M:4/4
L:1/8
%Q:1/4=132
K:E %Transposed from D
P:A
V:1
GA|B2B2c2BA|(GA)B2B3z|{B}G2g2g2fe|(de)f2f3z|
V:2
EF|"D"G2G2"A"A2GF|"D"(EF)G2G3z|{G}E2B2B2AG|"A7"(FG)A2A3z|
V:1
F3GF2(GA)|B3cB2(cd)|e2def2d2|e6:|
V:2
"A7"D3ED2E2|F6A2|"D"G2FG"B7"B2A2|"D"G6:|
P:B
V:1
ef|g2gfg2ef|(ga) gfg2ag|f2(de)f2g2|a2c'2b2a2|
V:2
GA|"D"B2BAB2GA|(Bc) BAB2Bc|"A7"d2(Bc)d2e2|"G"e2a2"A7"g2f2|
V:1
g2gfg2ef|(ga) gfg2ag|f2gab2d2|e6:|
V:2
"D"e2ede2Bd|"D"(ef)ede2e2|"A7"d2dcB2A2|"D"G6:|

X:11
T:L\aeg di Maw (Snoa, Danish Reinlender Polka)
M:2/4
L:1/8
%Q:1/4=120
R:Snoa or Danish Reinlender Polka
%O:Sweden
Z:Bob Wyttenbach  8/8/02, from Fiddles & Feet 2002 tunebook handwritten copy
K:A %Transposed from G
P:A
cc e>c|AAc2|dd/c/ Bc/B/|[1Ace2:|[2AAA2:|
P:B
[K:E] B/c/B/G/ B/c/B/G/|Be/g/ bb|a/b/a/g/ ff|g/a/g/f/ ee|
B/c/B/G/ B/c/B/G/|Be/g/ bb|a/b/a/g/ f/a/g/f/|[1eee2:|[2ed cB:|
%W:Pattern:AABBABB? (A part repeats are 1,3 and 2,4; B repeats are 1,Fine and 2 (to A).

X:12
T:Pariserpolka
C:Andreas Steindal 
D:Einar Heimhjellen 1985, transcr Bill Boyd
M:2/4
L:1/8
%Q:1/4=120
R:Pariser Polka
%O:Sweden
Z:Bob Wyttenbach  8/8/02, from Fiddles & Feet 2002 tunebook handwritten copy
K:E %Transposed from D
P:A
GE GB|cB G>B|BA F>A|AGE2|
GE GB|cBG2|BA/G/ FG/F/|E2E2:|
P:B
dB df|g2e2|dB cd/c/|B2B2|
dB df|g2e2|dB cd|e2e2:|

X:13
T:Sk\aanska Rumpedarran (Masurka)
C:A. Bergstr\"om (?)
R:Masurka
%O:Sweden
Z:Bob Wyttenbach 8/5/02, from Fiddles & Feet 2002 tunebook, poor handwritten copy
N:as we played it, the triplets were CCC, not CB,C as written here in A part
M:3/4
L:1/8
K:E %Transposed from D
P:A
"D"B>eg2g2|g>f e>cB2|"G"A>Bc2c2|"Em"c>B A>GF2|
"A"D>E F>GA2|"A"(3DCD F>GA2|"A"F>G A>B d>c|"D"B>c B>AG2|
"D"B>eg2g2|g>f e>cB2|"G"A>Bc2c2|"Em"c>B A>GF2|
"A"D>E F>GA2|"A"(3DCD F>GA2|"A"d>c B>d f>d|"D"e2e2z2:|
P:B
[K:A]"G"A,>c c>ec2|"G"A,>c c>ec2|(3dcd g2g2|A>aa2a2|
"G"A,>c c>ec2|"G"A,>c c>ec2|d>c B>A G>B|[1"G"A2A2z2:|[2"G"A2a4|]


X:14
T:Gr\aatvalsen
C:Ale M\"oller 
%A:Sweden
R:Waltz
Z:copied by Bob Wyttenbach from Buffalo Gap Scandi Week 2000 tunebook
N:transcribed 6/89 by Andrea Hoag (her notes say harmony by Per Gudmundson)
M:3/4 
L:1/8 
%Q:1/4=160
K:A %Transposed from G
P:A
V:1
GA|B4B2|B4B2|B3AG2|E4AB|c4e2|d4c2|B6-|
V:2
EF|G3A ((3GFE)|G3A ((3GFE)|G3FE2|B,4CE|A4{B}c2|B4A2|G3FE2|
V:1
B3GAB|c4e2|d4c2|B3AG2|E3GBc|B4Bc|B3AG2|[1[E6G6]|E4:|[2[E6G6]||
V:2
[B,4E4]CE|A4{B}c2|B4A2|G3FE2|[B,6E6]|"*"[D3F6](E DC)|[D3F3][CF](DE)|[1E6|E4:|[2E6||
P:B
V:1
G2A2B2|c4c2|c3BA2|d4c2|B3GAB|c4e2|f4e2|B6-|
V:2
E2F2G2|[A4A,4]A2|[A3A,3]GE2|[F4A,4]A2|([B,3E3][B,E]) CE|A4{B}c2|d4c2|G3FE2|
V:1
B3GAB|c4e2|d4c2|B3AG2|E3BBc|B4Bc|B3AG2|[1[E6G6]:|[2[E4G4]||
V:2
[B,6E6]|A4{B}c2|B4A2|G3FE2|[B,6E6]|[D3F6](E DC)|([D3F3]CDE)|[1E6:|[2E4||
W:*harmony may be an octave higher here

X:15
T:Sommervals
C:Ale M\"oller
%O:Sweden
R:Waltz
N:Efter Alke Steinholtz and Printed by Karen Myers
Z:Bob Wyttenbach, 8/4/02 from xerox copy (origin?)
M:3/4
L:1/4
%Q:1/4=120
K:A %Transposed from G
P:A
ed|"G"c>BA|"D"B2G|"C"A3|F>GF|"G"EAB|
"Am"d2c|(3c/d/c/ BA|"D7"Bed|"G"c>BA|"D"B2G|
"C"A3|F>GF|"G"EFA|"D7"A2G|"G"A3-|A:|
P:B
GA|"D"B>BB|BGE|"D7"d3|"G"c>B A/G/|"Am"FB/c/d|
"Bm"e>d c/B/|"Em"AGA|"E"BcB|"Em"A>BA|"Bm"G>AG|
"C"F>GF|"D"EAB|"G"c>BA|"D7"B{cd}eG|"G"A3-|A:|

X:16
T:Feder Fele (Vals)
%A:Sweden
R:Waltz
Z:copied by Bob Wyttenbach 8/16/02 from NFF 2002 tunebook
M:3/4 
L:1/4 
%Q:1/4=160
K:A %Transposed from G
P:A
uE/ A/B/|:c>Bc|A2E|F>AF|E2E|(F/E/) F/G/A|c>B A/c/|B>E A/B/|
c>Bc|A2E|F>AF|E2E|(F/E/) F/G/A|B>B A/G/|[1A3-|A>E A/B/:|[2A3-|A(GA)||
P:B
B>BB|Bcd|c>Bc|A>(B c/)e/|f>g f/e/|c>B A/c/|cB2-|B>E A/B/|
c>Bc|A2E|F>AF|E2E|(F/E/) F/G/A|B>B A/G/|[1A3-|A(GA):|[2A3-|A>zz||

X:17
T:Waltz from J\"amtland
C:efter Anders Wedlund
%A:Sweden
R:Waltz
Z:copied by Bob Wyttenbach 8/16/02 from NFF 2002 tunebook
M:3/4 
L:1/4 
%Q:1/4=160
K:EAEO %Transposed from DM
P:A
E/F/|G2F|E^DE/G/|B2B-|B^c/^d/ e/f/|g2g|Tgfe/^d/|b2b-|bag|
fed|TcBA|B>G E/F/|G2F|E^DE/G/|B2B-|B^c/^d/ e/f/|g2g|Tgfe/^d/|[1e2:|[2e3||
P:B
f^df|b>^ab-|b^de|f^dB-|B^c/^d/ e/f/|g2f|f/e/^c^A|B2B|
f^df|b>^ab-|b^de|f^dB-|B^c/^d/ e/f/|g2f|f/e/^c^A|B2E/F/|
G2F|E^DE/G/|B2B-|B^c/^d/ e/f/|g2g|Tgfe/^d/|b2b-|bag|
fed|TcBA|B>G E/F/|G2F|E^DE/G/|B2B-|B^c/^d/ e/f/|g2g|Tgfe/^d/|e3:|

X:18
T:Vals fr\aan Alfta
R:vals
N:learned from Andrea Hoag, workshop 20jan92
Z: 1998 Brian Wilson <baab@ma.ultranet.com>
M:3/4
L:1/8
K:A %Transposed from G
P:A
"G"E4 (~cB) | "G"c4 "D"A2 | "G"E3 (d~cB) | "G"c4 A2 |\
"D"GA Bc de | "C"f4 e2 | "C"d2 cd "Am"ec | "C"d2 cB cA |
"G"E4 (~cB) | "G"c4 "C"A2 | "G"E3 (d~cB) | "G"c4 A2 |\
"D"GA Bc de | "C"f4 e2 | "D"ef ed BG | [1 "G"A4 GF :| [2 "G"A3 Bcd ||
P:B
"G"e4 a2 | "Am"(~g2 f2) f2 | "D"B4 g2 | "Am7/G"f2 e^d e2 |\
"Am"B3 cde | "C"f4 e2 | "C"d2 cd ec | "C"d2 cB "Am"cd |
"G"e4 a2 | "Am"(~g2 f2) f2 | "D"B4 g2 | "Am7/G"f2 e^d e2| \
"Am"B3 cde | "C"f4 e2 | "D"ef ed BG | [1 "G"A3 Bcd :| [2 "G"A4 GF ||

X:19
T:Minnesota Valsen
R:Waltz
%O:Scand-American
Z:John Chambers <jc@trillian.mit.edu>
N:Modified by Bob Wyttenbach to match Buffalo Gap tunebook
M:3/4
L:1/8
K:A %Transposed from G
P:A
E2| "G"A2 (cA) ce | A2 (cA) cd | e2 (fe)dc | "D7"B4B2 |
 E2 (GE) GB | E2 (GE) GB | e2 (ed)cB |[1"G"A4 :|[2"G"A3||
P:B
(dcB)| "G"A2 (cA) ce | a4a2 | (3(aba) (ga) ba | "C"f4f2 |
 "D7"(BG) (BG) Be | g3 (agf) | (ef e)dcB |[1"G"c3:|[2"G"A4 ||

X:20
T:P\aa Hjemturen (S\onderhoning)
C:F.J. Aalto
%O:Sweden
R:S\onderhoning
Z:Bob Wyttenbach from Buffalo Gap tunebook
M:4/4
L:1/4
K:E %Transposed from D
P:A
B,|:"D"Efdc|B>AGB|"Em"AFCF|"A7"E>DCB,|"D"Eedc|B>AGB|
"Em"Ac"A7"FD|[1"D"E3B,:|[2"D"E3G|:"A7"FG/A/ B,/D/F/D/|"D"E>FGB|"Em"AB/c/FE|
"A7"DE/F/DB,|"Bm"EC/E/"Em"FG|ABcf|[1"D"e2"A7"dc/d/|"D"e3G:|[2"D"e2"A7"fe/d/|"D"e3||
P:B
B,|:"D"EE/G/"A7"FF/A/|"D"GB"A7"A/G/F|"D"GA/B/ "A7"A/G/A/F/|"D"GE"A7"FB,|"D"EE/G/"A7"FF/A/|
"D"GB"A7"A/G/F|"Em"A/G/A/F/"A7"ED|[1F2"D"EB,:|[2"D"E3d/e/|:"A"fBBc/d/|"D"e>fge|"Em"affe|
"A"dc/d/BA|"D"GA/B/ "A7"F/G/A|"G"cd/e/ "Em"f/g/ a/f/|"A"ed/e/fd|[1"D"e3d/e/:|[2"D"e4||

X:21
T:Litj-Brekkingen (Pols)
C:\AAsmund Svenkerud
R:Pols
%O:Sweden
Z:Bob Wyttenbach  8/7/02, from Fiddles & Feet 2002 tunebook
N:rhythm here is an approximation; emphasis on 2 is very strong.
M:3/4
L:1/8
K:E %Transposed from D
P:A
((3Bcd)e2fg|e2(dB) Bd|(de) (cA) Ac|cd dB (B2|(3Bcd)e2fg|
e2(dB) Bd|(de) (cA) Ac|[1(cd)B3B-:|[2(cd)B3b-||
P:B
b(g af) fa|(af) (ge) ee|e2(dB) df|(fg) (ge) gb|b(g af) fa|
(af) (ge) ee|e2(dB) ce|[1((3dcd) e3b-:|[2((3dcd)e4|]

X:22
T:Skott-Sara-leken (R\orospols)
C:Annar Gjelten
%O:Sweden
R:R\orospols
Z:Bob Wyttenbach 8/7/02, from Fiddles & Feet 2002 tunebook "Printed by Karen Myers"
N:modified slightly to match my memory of the tune
M:3/4
L:1/8
K:E %Transposed from D
P:A
B|(3:2:2(e2 d)B2-B>e|(3:2:2(e2d)[f4f4]|(3:2:2e2(f ge) a>g|(3:2:2f2(e dc) Tc>B|
(3:2:2B2(A GF) G>B|(Ac) {A}[B4B4]|(3:2:2E2F (3(GEG) (3(FDF)|[1{D}[E2E2][E3E3]:|[2({D}[E2E2])[E3E3]||
P:B
f|Tg2e2g>b|(b^a)f2-f>=a|(3:2:2(Ta2g) e2f>g|(ed)B2-B>f|
Tg2e2g>b|(b^a)f2=ac'|(c'd)e2f>g|[1(ed)e3:|[2(ed)e4|]